Author Archives: Nan Quick
Venice: BIENNALE ARTE 2019. Part One
When it comes to La Biennale, years and fashions pass, but little of its Essence changes, despite various Curators’ declarations that: “THIS Biennale shall be precedent-shattering!” In May of 2011 I attended Biennale‘s Press Days, and later reported about that event for New York Social Diary. In May of 2019 I was once again privileged … Continue reading
Two Modern Mannerist Homes & Gardens in Italy: Tomaso Buzzi’s LA SCARZUOLA, & Niki de Saint Phalle’s TAROT GARDEN
December 2016 Among all the avenues of self-expression available to humans, one of the most enticing has always been the building of a home and garden. For the mature visual artist in particular, modeling timber and stone and plant material into environments which give three-dimensional form to the artist’s peculiarities of imagination and character becomes … Continue reading
Part Two. A Well-Spent Week in Southern Devon, England
May 2016 Six months have elapsed since I published Part One about the summer-of-2015 week when my dear friends Anne and David Guy led me on a long ramble across Southern Devon. Of the varieties of jobs I perform, no work challenges me more, or gives me more satisfaction, than the creation of these Travel … Continue reading
A Well-Spent Week in Southern Devon, England. Part One.
October 2015 I’m back on Terra Firma (aka New Hampshire), after this summer’s very satisfying, month-long expedition to England, where I continued my investigations of Britannia’s landscapes, luminaries, architecture, and history. Per usual, once home, my first task (after I do some serious laundry) is to sort thousands of trip photos. My brain isn’t nearly … Continue reading
An Idiosyncratic Survey of Sculpture, in Gardens of the Western World
APRIL, 2015 As we create our gardens, we often find that the presence of plant material alone cannot satisfy our aesthetic sensibilities, and so we begin the often perplexing quest for objects to use as decoration for our little Edens. Sometimes, our beds of well-tended plants seem incomplete and in need of punctuation. The dedicated … Continue reading